In the world of makeup, brushes are magic wands that can turn a set of cosmetics into a real work of art on the face. You can have the most expensive shadows and tonal foundations, but without the right tools, the result will be, to put it mildly, far from ideal. Good brushes are not a luxury, but a basic necessity for those who want to achieve smooth tones, smooth shading and neat lines.
It is not easy to understand all the variety of shapes, sizes and materials the first time. But if you understand the basic principle and purpose of each brush, the choice turns from a difficult task into an exciting process. In fact, you need to build your own basic set that will meet exactly your needs.
Pile: natural vs. synthetic
The first question that arises when choosing a brush is the pile material. For a long time it was believed that natural pile (squirrel, goat, sable) is the standard of quality. It is really good for dry products: powder, blush, eye shadow. Natural villi have a porous structure, they perfectly collect and give off pigment, allowing you to achieve a soft, smoky shading.
However, for liquid and creamy textures (foundation, concealer, cream shadows), natural pile is not suitable — it will absorb too much product. This is where synthetics comes on the scene. Modern synthetic pile (taclon, nylon) is very high-quality, smooth, elastic and hypoallergenic. It does not absorb liquid products, but distributes them evenly over the skin, leaving no streaks. In addition, synthetic brushes are easier to wash and more durable.
Face Brushes: Creating the perfect canvas
A basic face makeup kit usually includes several key tools. It is difficult to do without them if you want to achieve the effect of well-groomed skin.
Here is the minimum required:
- A foundation brush. Most often, this is a flat brush-a "spatula" or a more densely packed round one (kabuki, flat top). The latter give a more dense and even coating, literally polishing the skin.
- Concealer brush. A small, flat, elastic brush with a pointed tip. It allows you to apply the product precisely to imperfections or carefully work out the area under the eyes.
- Powder brush. Big, fluffy and soft. Her task is to apply powder with a thin veil, fixing makeup and not creating a "peach" effect.
- A blush brush and a sculptor. This is usually a medium-sized beveled brush. Its shape is perfect for accentuating cheekbones and applying blush to the "apples" of cheeks.
Eye brushes: the magic of the gaze
Eye makeup is the most creative part, and here the variety of brushes is especially great. But for a start, three main ones are enough. This is a brush for applying the primary color — flat, densely packed, which transmits the pigment well to the eyelid. Then you need a brush for shading — fluffy, in the shape of a barrel or a torch, it helps to create smooth transitions between shades. And finally, a small pencil brush or a flat one with a beveled edge is used to work out details, for example, the lower eyelid or darkening the corner of the eye.
When choosing brushes, you should not chase after huge sets, half of which will be lying idle. It is better to assemble your own, albeit small, arsenal of high-quality and really necessary tools. A good brush is a long—term investment in your beauty and convenience.
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